Today we have sent out offers for a spot at the Summer Academy or at the waiting list, to all qualified Nordic students (except students on harp, piano, accordion, and oboe).
We have sent out acceptance letters to students with Nordic (Norwegian, Finnish, Swedish, Danish or Icelandic) address. It is the responsibility of each individual student to check travel restrictions and make sure that you will be able to enter the country. Students quarantine will not be welcome at Voksenåsen. Unfortunately the classes of Piano, harp, oboe, and accordion have been canceled.
Due to measurements and travel restrictions we can only accept students from the Nordic countries for the 2020 course. All non Nordic students have received an email with this information during the last couple of days.
If you haven’t received an email from us, check your spam filter or send us an email at email@example.com
Andreas Sundén is solo clarinetist in the Swedish Radio Symphony Orchestra and previous solo clarinetist in Royal Concertgebouw Orchestra. He has been soloist with many of the leading European orchestras and won prices in several international competitions. He began his studies at the Norwegian Academy of Music for Hans Christian Braein and has since studies for Hans Deinzer and Yehuda Gilad in Los Angeles. He has given master classes in USA, Australia, Japan, China, Corea, UK, Germany, France, Italy, Spain and Scandinavia. Sundén currently holds a Professorship at Ingesund School of Music and teaches at the Royal College of Music in Stockholm. Sundén is artistic director of the Summer Academy Voksenåsen Winds.
Mezzo-soprano Randi Stene is one of Scandinavia’s leading opera and concert soloists, and appears on the most important European stages. Since 1989 she has been engaged at the Royal Danish Opera in Copenhagen. She has a large repertoire, covering both the classical mezzo roles and many new or rarely performed works. She is Professor at the Norwegian Academy of Music. From August 2020, Stene is the new Opera Director of the Norwegian National Opera and Ballet. Stene is artistic leader of the Summer Academy Voksenåsen Voice.
*Randi Stene will not teach during the Summer Academy 2020 due to her new position as Opera Director of the National Opera & Ballett starting 1st of August 2020. Randi’s replacement for the 2020 will be announced soon.
Award winning violinist Peter Herresthal has appeared with orchestras and ensembles worldwide from Melbourne Symphony with Thomas Adès conducting at the Melbourne festival, Vienna Radio Symphony in Konzerthaus Wien, BBC Philharmonic, London Sinfonietta to the major Scandinavian orchestras including Oslo and Stockholm Philharmonic. He has recorded 16 violin concertos for BIS and Simax earning 7 nominations and three Norwegian Grammys. His Nørgård recording was nominated for a Gramophone Award and was Editors Choice in The Strad and International Record Review.
The last three seasons Peter has been touring Europe and US with Kaija Saariahos aria “Vers toi es si loin” written for him and more than 15 performances of her violin concerto “Graal Theatre” ,most recently recording the work for BIS with the Oslo Philharmonic and a TV production for BBC.
Peter Herresthal is a Professor at the Oslo Academy ,visiting Professor at the Royal College of Music, London and NYU Steinhard School New York. He performs on a GB Guadagnini from Milan 1753.
Susanna Eken is one of Scandinavia’s most prominent voice teacher. Since 1972 Eken has been teaching at the Royal Danish Music Conservatory as associate professor in voice and vocal techniques. She also teaches at the Opera Academy at the Royal Danish Theater in Copenhagen. During the last 25 years Eken has taught several Scandinavian and international singers, among them Randi Stene, Mari Eriksmoen, Magnus Staveland, Johannes Weisser and Lise Davidsen.
Isabelle van Keulen a truly versital musician. Her versatility lies in the fact that she plays the violin as well as the viola with the same energy, performing chamber music in any thinkable combination and directing chamber orchestra performances. She has over the course of her career engaged in works written by contemporary composers, and has had many concertos written especially for her. She is professor at the Luzern University of Arts and visiting professor at the Norwegian Academy of Music.
Naoko Tanaka, violin is presently on faculty at both The Julliard School and the Steinhardt Department of Music at New York University, in addition to the Aspen Musi School. She was born in Tokyo and began her studies at the Toho School, where she won several prizes and competitions.. She began her career in the U.S. at Juilliard and is also an alumna of AMFS, where she studied with Dorothy DeLay. Ms. Tanaka is a founding member of the Orpheus Chamber Orchestra, an ensemble she has led as concertmistress in performances at Carnegie Hall, throughout North and South America, Europe, and Asia, and on over thirty Deutsche Grammophon recordings. She is also concertmistress of St. Luke’s Chamber Ensemble, and is presently also a member of the Raphael Trio.
Professor Stephan Barratt-Due has had a wide-ranging career as a soloist, chamber musician and chamber music coach. He has taught several of the best Norwegian violinists of the younger generation. He is Artistic Director of Barratt Due Music Institute – one of Norway’s foremost musical educational institutions – and leader of the Oslo Camerata.
Photo: Kirill Bashkirov
Mark Messenger is recognised globally as a violinist, conductor, teacher, and educationalist. As a soloist, conductor and chamber musician he has worked togheter with many of the great names. He is member of the Bochmann and Bingham Quartets since 1984. Since 2002, he has been much in demand as a teacher, international judge, external examiner, to give masterclasses and as a lecturer. He is currently Head of Strings at the Royal College of Music in London, and consultant for the Norwegian Academy in Oslo.
Since his debut on the Norwegian Opera and Komische Oper Berlin in 2004 Johannes Weisser has been working in operahouses around Europe, such as the Staatsoper Berlin, Théâtre des Champs-Elysées, Theater an der Wien and Théâtre de La Monnaie in Brussels. He is also a sought after concert vocalist and performs in many of the best concert houses and cooperates with many of the leading conductors in the world. His CD-recordings includes the title role of Mozart’s Don Giovanni, Licaone in Händel´s Giove in Argo among many others, not at least an acclaimed recording of Grieg´s songs.
Stephanie Baer is Director of String Studies, Viola and chamber music professor at New York University. She has toured extensively around the world and currently plays together with the piano quartet Metamorphosis. She has toured around the US with the Arioso Ensemble and has been first viola at the Carmel Bach Festival.
After several years as a ballet dancer Iben Rohde opened her own Pilates-studio in 1997, She is experienced when it comes to training all sorts of people, and have special knowledge in training for singers. ” As a former dancer I truly enjoy teaching pilates, that trains the body in such a gentle way”, Iben says.
Magnus Ericsson was 1st concert master of the Oslo Philharmonic Orchestra from 1984 – 1999 and of the Royal Philharmonic Orchestra, Stockholm, 1999 – 2010. During 1992-2001 he was professor at the Norwegian Academy of Music and 2000-2005 professor at Edsberg Manor and at the Royal College of Music, Stockholm. Since 2005 he is professor at Ingesund Academy of Music/Karlstad University
Ida is principal violist in the Norwegian Chamber Orchestra and regularly invited as a guest principal in other major orchestras. She is professor at Royal College of Music in London and she also teaches both at Norwegian State Academy, Barratt Dues Music Institute as well as Gothenburg University.
Tine Thing Helseth is one of the world’s leading trumpet soloists and has performed with orchestras and conductors in Norway and abroad. She has premièred many important new works, including the world premiere of Bent Sørensen’s Trumpet Concerto. In 2013 she started her own festival at the Munch Museum in Oslo, thaw @ munch. In addition to her career as a soloist, she has also established two ensembles, tenThing brass ensemble and TTHQ. Tine has received various awards including “Newcomer of the Year” at the 2013 Echo Klassik Awards, the 2009 Borletti-Buitoni Trust Fellowship, “Newcomer of the Year” at the 2007 Norwegian Grammy Awards. Tine Ting Helseth is a professor at the Norwegian Academy of Music.
The cellist Henrik Brendstrup trained in Copenhagen with Erling Bløndal Bengtsson and in London with William Pleeth and Ralph Kirshbaum. He is one of the few Nordic musicians who has received both the French music prize Diapason d’Or and the German Deutsche Schallplattenpreis. Henrik Brendstrup has performed as soloist and chamber musician in most of Europe, and has played with most of the Danish orchestras. For several years he has taught cello at the Royal Danish Academy of Music in Copenhagen, but are now working as a professor at The Royal Academy of Music in Aarhus.
Andreas Brantelid was born in Copenhagen in 1987 to Swedish/Danish parents. After receiving early tuition from his father Ingemar, Andreas made his soloist debut at the age of 14 in a performance of the Elgar concerto with the Royal Danish Orchestra in Copenhagen. Today, Brantelid is one of the most sought-after performing artists from Scandinavia, winning worldwide critical acclaim for his thought-provoking interpretations, uniquely colorful sound and engaging personality.
Arnulf Naur Nilsen has been co-principal trumpet player with the Oslo Philharmonic Orchestra for four decades. He has also been principal trumpet player with the Bergen Philharmonic Orchestra and The Norwegian Chamber Orchestra. He studied in Oslo with Harry Kvebæk, in Chicago with Adolph Herseth, Vincent Cichowicz and Arnold Jacobs, and in New York with Philip Smith. As a dedictated teacher, Arnulf Naur Nilsen has been teaching at conservatories throughout Norway and Sweden, and his students have gained careers as international soloists leading orchestral positions. He is currently teaching trumpet and chamber music at Barratt Due Institute of Music.
Audun Halvorsen, born 1979, studied with Robert Rønnes, Eirik Birkeland and Knut Sønstevold, and Ole Kristian Dahl has been Audun’s coach and mentor since 2001. Since 2006 he is Principal Bassoon in Danish National Symphony Orchestra in Copenhagen, a position he also held in NDR Sinfonieorchester, Hamburg (2011), Rotterdam Philharmonic Orchestra (2005-2006) and in Norrköping Symphony Orchestra (2001-2007). As a guest Audun has played with orchestras such as London Symphony Orchestra, Mahler Chamber Orchestra, Oslo Philharmonic Orchestra, Swedish Radio Symphony Orchestra and so forth. Audun is currently teaching bassoon at The Royal Danish Academy of Music in Copenhagen and at the Norwegian Academy of Music in Oslo.